Basic photography - Composition & light

Presentasi berjudul: "Basic photography - Composition & light"— Transcript presentasi:

1 Basic photography - Composition & light
Adapted from Jim Lucas Franklin, pg Williams & Tollett, pg

2 PHOTOGRAPHS Tampilkan OBYEK yang memiliki PERAN dan PESAN
SURVEI berbagai sumber, tempat, obyek TATA, TAMBAHKAN atau HILANGKAN bagian-bagian tertentuk demi mencapai tujuan Pilih KOMPOSISI yang SEDERHANA, namun MENARIK Pilih PENCAHAYAAN yang MEMPERBAIKI obyek atau MEMPERKUAT pesan Pilih SUDUT TERBAIK yang memperlihatkan obyek dan memperkuat tujuan Pergunakan TATA WARNA yang apik Tentukan UKURAN, SKALA dan ARAH atau SUDUT

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4 CIPTAKAN KESEDERHANAAN
Pilih latar belakang yang sederhana, tidak terlalu banyak benda, corak, atau warna Hindari tumpang tindih Tampilkan satu obyek yang dominan

5 OBYEK TUNGGAL ATAU SEDIKIT DAN DOMINAN
Uncluttered background, dominant subject

6 SEDERHANAKAN LATAR BELAKANG, JANGAN TERLALU BANYAK/RAMAI
Single dominant subject

7 HINDARI TUMPANG TINDIH
                                     Avoid mergers

8 SUDUT PENGAMBILAN GAMBAR
Sudut Rendah, misal: Untuk menjadikan langit cerah sbg latar belakang Untuk menekankan gerakan tertentu Sudut Tinggi, misal: Menghilangkan langit berawan Mengindari garis horizon tengah Memanfaatkan cahaya Menekankan titik, atau perbedaan warna tertentu Sudut Sejajar

9 SUDUT PENGAMBILAN GAMBAR
Low angle Low angle and accentuate movement Avoid center horizon

10 PUSAT PERHATIAN YANG KUAT MENARIK PERHATIAN
Ambil SEJUMLAH gambar dengan berbagai sudut dan komposisi, PILIH yang TERBAIK Tempatkan pada posisi-posisi “RULE OF THIRDS”.

11 RULE OF THIRDS

12 RULE OF THIRDS Allow for room to run off page

13 BALANCE Seimbahkan warna dan ketebalan
Tentukan situasi formal atau informal Tentukan posisi simetri atau tidak simetri

14 Balance wheels

15 Symmetrical - balanced proportions
versus asymmetrical - unbalanced proportions

16 GARIS Garis mengarahkan mata Garis statis vs dinamis Bentuk Diagonal
Kurva S Garis statis vs dinamis Bentuk

17 GARIS                                        Static line vs dynamic line

18 GARIS Directional Straight and S-curve line

19 GARIS Diagonals

20 PEMBINGKAIAN (FRAMING)
Menambah kedalaman (kesan 3-D) Bingkai harus sesuai tema Perhatikan fokus di latar depan Fokus pada latar depan panorama Fokus pada orang dalam gambar Fokus otomatis terpusat pada topik utama

21 FRAMING Depth Fits theme

22 FRAMING

23 Fill the frame Would this picture look better if I was closer?
Focus on subject Detail Start far and move closer Fill the frame with objects that “fit” Long range shots provide depth and perspective

24 Fill the frame Fill the frame – which one could be improved?
                   Fill the frame – which one could be improved? How would you improve it? - move closer or zoom

25 Fill the frame Fill with objects that fit

26 Pick a good light direction
Three light directions Front - sunny with high color Side - depth and texture Back - dynamic but challenging; silhouettes and water effects

27 ARAH CAHAYA? Front—sunny with high color Side—depth and texture

28 ARAH CAHAYA? Front—sunny with high color Side—depth and texture

29 KONTRAST (PERBEDAAN YANG BERTOLAK BELAKANG)
Cahaya kuat vs. lemah Saat matahari cerah – kontras tinggi (cahaya kuat) Saat mendung – kontras rendah (cahaya lemah) Foto potret seringkali menggunakan cahaya lemah (tempat teduh/berbayang) Penggunaan flash akan mengurangi kontras Cahaya lemah membantuk variasi warna Jam hari

30 Light and contrast Sunny versus cloudy

31 Light and contrast Sunny versus cloudy

32 Time of day Color changes with daylight

33 Light type Color changes with light source

34 Action shot tips High shutter speed Telephoto lens Stopping motion
Longer lens means faster shutter speed Stopping motion Far is easier than near Straight is easier than diagonal Diagonal is easier than right angles Panning

35 Action shots

36 Landscape tips Take pictures at the start and end of the day
Anticipate weather changes Diffused light can highlight patterns and textures Bright light highlights monochrome colors Move around to exclude or block objects from view

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38 Objects in the landscape tips
Add scale, depth and focal points Use items to add interest to common or simple scenes

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40 Sunset tips Include shadowed image for interest
Often best after the sun has actually gone down Less time closer to the equator to take

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42 Wildlife tips Fill the frame Avoid barriers
Shoot against the glass if in a car (no flash) Use tripod Blur background, or find simple one Focus on the eyes Go for natural poses, growls, yawns, etc.

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44 Garden tips Strong diffused light is generally best—especially for single blooms Macro lens Can help you get a 1:1 ration Avoid shadowing your subject Have smaller aperture to allow more depth of field Without macro = 4 foot minimum

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46 Take-away tips Think Experiment Move Wait Rule of Thirds