SUTRADARA FSRD ISI SOLO

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1 SUTRADARA FSRD ISI SOLO
PENYUTRADARAAN SUTRADARA FSRD ISI SOLO

2 Kamus Besar Bahasa Indonesia DEPDIKBUD – Balai Pustaka
PENYUTRADARAAN Pe + SUTRADARA + an Orang yang memberi pengarahan dan bertanggung jawab atas masalah artistik dan teknis dalam pementasan drama, pembuatan film, dsb. Proses, cara, perihal menyutradarai pertunjukan drama, atau dalam bidang / produksi film, dll. Kamus Besar Bahasa Indonesia DEPDIKBUD – Balai Pustaka

3 STAGE DIRECTOR TV SCREEN FILM

4 DIRECTOR STAGE TV FILM WRITER’S MEDIUM PRODUCER’S MEDIUM
DIRECTOR’S MEDIUM FILM

5 SUTRADARA / DIRECTOR ( Film / Televisi )
“... the director’s most basic task is to convert the script into a movie... The director’s primary responbility is to interpret the script...” LYNNE S. GROSS & LARRY W.WARD – Electronic Moviemaking “ Seseorang yang bertugas memberikan pengarahan kepada talent (pemain atau pengisi acara) dan teknis operasional. Secara langsung bertanggungjawab memindahkan secara efektif yang tertulis di dalam naskah ke dalam bentuk pesan-pesan AUDIO VISUAL.” HERBERT ZETTL – Television Production Handbook

6 “ Sutradara menurut saya ( Garin Nugroho ) adalah :
33% mendengarkan, 33% memperhatikan, 33% merasakan, 1% memerintah : “Action Cut!” GARIN NUGROHO – Membaca Film Garin

7 Your job as A DIRECTOR in any medium is to prepare the actor to do his or her best work. You need to know the script better than anyone. You also have to have enough directing and communication skills to work with a wide variety of people. Your job is to help them do their best work. Directing for Stage and Screen - Marian F. Monta and Jack R. Stanley

8 Intinya, para Sutradara bilang ..:
Sutradara adalah pencerita (storyteller) lewat medium film. Jadi apa yang mau disampaikan via film jauh lebih penting daripada ribet perkara teknis! Paham teknis tapi tidak paham “isi” dan cuma bisa bikin gambar bagus tanpa emosi, percuma! Sutradara harus tahu mau ngomong apa lewat filmnya, baru dia bisa bikin film! Buat jadi sutradara sekolah penting banget! Kalau tidak belajar di sekolah film, tetap harus sekolah, supaya belajar sistematika berpikir, setelah lulus pun, kudu belajar terus. Sutradara harus punya kemampuan leadership, komunikasi, visi, sikap, dan pemahaman soal hidup. Ody C. Harahap, Joko Anwar, Riri Riza, Dhimas Djayadiningrat– Bikin Film, Kata 40 Pekerja Film

9 3 ANGLE SYSTEM PRODUCER WRITER DIRECTOR

10 MASTER STORY TELLER DIRECTOR TO READ THE SCRIPT
and develop a strong mental image of how the movie will look, sound, and feel. MASTER STORY TELLER TO COMMUNICATE HER /HIS VISION to the cast and crew during preproduction, production, and postproduction,helping direct the cast and crew’s artistic and technical skills. DIRECTOR Jason J. Tomaric – The Power Filmmaking Kit

11 Director Producer Writer Executive Producer Crew Structure
Production Manager Producer Assistants Director Writer Make Up Director Production Assistants Hair Stylist Casting Director Wardrobe Production Designer Script Supervisor Property Master Set Dressing Director of Photography Editor Composer Still Photography Set Construction Sound Designer Dialog Editor Key Grip Camera Operator Gaffer Best Boy Grip ADR Engineer 1st Assistant Camera Best Boy Production Sound Mixer Dolly Crane Grips Grips Foley Artist 2nd Assistant Camera Electriciant Boom Operator Crew Structure

12 PRODUCER Preproduction SHOOT DATE SCRIPT BREAKDOWN SCHEDULE CAST CREW
BUDGET LOCATION ART CONTRACTS AND PERMITS SET DESIGN CONTRACTS AND RELEASES CONTRACTS AND DEAL MEMOS PRODUCTION MEETINGS SET CONSTRUCTION INSURANCE TRANSPORT STAGES EQUIPMENT PACKAGE MEAL PLAN SHOOT DATE

13 DIRECTOR OF PHOTOGRAPHY DEPARTMENT HEAD WALK THROUGH
Preproduction SCRIPT REWRITES BREAKDOWN ART DIRECTOR LOCATION SCOUT DIRECTOR OF PHOTOGRAPHY CAST SET DESIGN SHOOTING SCRIPT COSTUMES FINALIZE LOCATION REHEARSAL FLOOR PLANS PROPS STORYBOARDS DEPARTMENT HEAD WALK THROUGH READ THROUGHS SET CONSTRUCTION SHOT LIST SHOOT DATE

14 3 STEPS OF TV & FILM PRODUCTION Pre Production Production
Post Production STEPS OF TV & FILM PRODUCTION

15 Pre Production Analysing the Script Breakdown Script Shooting Script
Storyboard Shot List Floor plan Casting Hiring the Crew Scouting Locations

16 Position of Characters
Analysing The Script 1 Genre 2 Structure Position of Characters 3 4 The Arc 5 The Givens

17 Genre

18 Analysing The Script Who is the main character ?
What does he/she want? Is it clear what the character’s goal is? What are the stakes? Is the main character’s goal achievable (and believable) within minutes? Analysing The Script Is your main character actively pursuing his goal in every scene? What is the conflict? Can we ultimately believe that the character can achieve the goal at the end of the film?

19 Breakdown Script Catatan formulir produksi yang berisi uraian mengenai segala hal yang dibutuhkan dalam sebuah scene. Script Breakdown Budget

20 Shooting Script The approval final version of the script with scene numbers, camera setups, and other instructions by the director. versi lain dari sebuah naskah film yang digunakan dalam proses produksi atau waktu shooting berlangsung. Dalam sebuah shooting script sudah ada “campur tangan” dari sutradara. Biasanya sutradara memberikan catatan mengenai : Type of Shots Angle Camera Movement

21 Storyboard Semidetailed drawings of what each shot will look like; similar to a multipanel cartoon. Visualisasi rekaan yang berbentuk sketsa gambar seperti komik atau perkiraan hasil gambar yang nantinya akan dijadikan pedoman pengambilan gambar oleh camera operator. (Bikin Sendiri Film Kamu)

22 Shot List Rencana urutan pemecahan adegan secara rinci yang berguna untuk mengetahui proporsi adegan disesuaikan dengan durasi pengambilan gambar dan struktur tangga dramatik cerita.

23 Proses memilih pemeran sesuai dengan kebutuhan cerita dan komersil.
Casting Casting by ability Casting to type Antitype casting/ casting against type Casting to emotional temperament Therapeutic casting

24 “. In fact, casting is one of the director’s most crucial decisions
“..In fact, casting is one of the director’s most crucial decisions. Casting errors inevitably hurt the final product. Behind-the-scenes people who cannot handle their jobs can be replaced in the middle of a production, albeit with some disruption, but people in front of the camera are essentially irreplaceable. Some directors feel that casting is 90 percent of directing” Gross, Lynne S. – Electronic Moviemaking “ In any dramatic or comedy show, the actors are of paramount importance. Although you are using television technology to convey the performance to a viewing audience, the play comes from the actors. The director must do whatever is necesary to make the actors feel comfortable, so that they can deliver the best possible performance.” Alan Wurtzel – Television Production

25 Scouting Location/ Hunting Lokasi
Mencari lokasi yang sesuai dengan tuntutan skenario. Location on script diterjemahkan langsung oleh sutradara dg pertimbangan sutradara dan penulis skenario.

26 Reading duduk bersama dan membaca naskah untuk mengetahui durasi dialog dalam sebuah adegan sehingga durasi adegan dapat diperkirakan

27 The director’s duties during preproduction include:
Studying the script Determine story plot points, theme, and story arc. Plan the visual and storytelling style of the movie. Build the shot list and storyboard. Rehearsing with actors Discuss the theme of the movie with the actors. Help actors build their character’s backstory, motivations, and personality. Rehearse blocking and pacing. Working with the crew Scout locations and determine blocking. Work with the director of photography to determine the visual look and feel of the lighting and shooting style. Work with the production designer on set dressing, wardrobe, and props. Help develop the shooting schedule. Coordinate with department heads.

28 Production and... ACTION!!! Camera... Rolling..!!!

29

30 Post Production Editing Mixing