Playing Gendhing Lancaran. KK 1 1. Playing Karawitan Bersama in Structure Lancaran. Garap irama lancar, tanggung dan dadi. Playing Gendhing Lancaran.

knowing ricikan gamelan Playing Karawitan Bersama in Structure Lancaran. Garap irama lancar, tanggung and dadi. knowing ricikan gamelan Structure / Gendhing Lanc Rules of Irama Technique memainkan masing- masing ricikan Memainkan repertoar gendhing bentuk lancaran Seni Kerajinan dan Pariwisata

1.1 knowing Ricikan / Instrumen Gamelan Names of ricikan gamelan 1. Rebab the sound of this Ricikan is produced by two strings that’s tightened in a long wood and a resonator thas has a form like human being, covered by membran made from a cow leather. The way to play is by bowed. the function is: a. to starting gending (especially gd. rebaban ) b. to filling songs balungan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 2. Kendhang This Ricikan is a part of membranofons instrument, because its sounds is produced by a tightened leather. there is 4 kind of kendhang : 1. kendhang ageng/bem 2. kendhang ketipung 3. kendhang ciblon 4. kendhang sabet/wayangan The function of this ricikan is as a pamurba irama. the way to play is stroked by opened hand (left and right). the notations symbol are : o be read tong b be read dhah I be read tak d be read ndang p be read thung k be read ket Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Kd. Sabet Kd. Ciblon Kd. Ketipung Kd. Ageng Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3. Gender Barung the shapes of this Ricikan is that’s tightened using a rope in up ofbumbungan (resonator). has a function to fill the songs balungan.the way to play is stroked using two sticks (tabuh). there is 3 kind of Gender barung : 1. lrs slendro, tones : yqwety12356!@# 2. lrs pelog pt nem, tones : yqwety12356!@# 3. lrs pelog pt br., tones : yuwetyu23567@# Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4. Gender Penerus The shapes of this Ricikan is same as gender barung, bu smaller. The tones is one oktaf higher then bonang barung. Has a function to fill the songs balungan. The way to play is stroked using two sticks (tabuh). Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata the shapes of this Ricikan is pencon, has a function as a pamurba lagu and fill the songs balungan. the way to play is stroked using two sticks (tabuh). 4 6 5 3 2 q 7 6 5 3 2 ! @ u 1 w e t y r 1 w e t y q laras pelog laras slendro 5. Bonang barung Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 6. Bonang penerus The shapes of this Ricikan is pencon, has a function to fill the songs balungan. The way to play is stroked using two sticks (tabuh). The tones formation is same as bonang barung, but physicly is smaller and has a one oktaf higher tone. Bonang penerus laras slendro Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 7. Slethem The shapes of this Ricikan is bilah, has a function to perform the songs balungan. The way to play is stroked using one sticks (tabuh). the tones formation : Content slendro y 1 2 3 5 6 ! Content pelog 1 2 3 4 5 6 7 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 8. Demung The shapes of this Ricikan is bilah, has a function to perform the songs balungan. The way to play is stroked using one sticks (tabuh). The tones formation : Content slendro y 1 2 3 5 6 ! Content pelog 1 2 3 4 5 6 7 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Saron barung The shapes of this Ricikan is same as demung but smaller, has a function to perform the songs balungan.The way to play is stroked using one sticks (tabuh). the tones formation : Laras slendro : 6 ! @ # % ^ Z1 Laras pelog : ! @ # $ % ^ & Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 10. Saron Penerus The shapes of this Ricikan is same as saron barung but smaller and has a one oktaf higher tone. Has a function to perform the songs balungan. The way to play is stroked using one sticks (tabuh) made from animal horn. the tones formation : Content slendro : ^ 91 92 93 95 96 9! Content pelog : 91 92 93 94 95 96 97 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 11. Kethuk dan kempyang The shapes of this Ricikan is pencon, that’s put down in horizontal line and played by one man. has a function to perform the structural instrument . The way to play is stroked using one sticks (tabuh). The notations symbol are: Kethuk : + Kempyang : - Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 12. Kenong The shapes of this Ricikan is pencon, in traditionally gamelan ansamble, there was 11 pencon, consist of: • 5 pencon laras slendro, tones : 2 3 5 6 ! • 6 pencon laras pelog , tones : 2 3 5 6 7 ! Has a function to perform the structural instrument . The way to play is stroked using one sticks (tabuh). the notations symbol is:  atau N Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 13. Kempul dan gong The shapes of this Ricikan is pencon that’s hanging on gayor. Has a function to perform the structural instrument the way to play is stroked using two sticks (tabuh). Played by one player. the notations symbol are : Kempul :  or p Gong : g Kempul Gong Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 14. Siter dan Celempung The sound of this Ricikan is produced by two strings that’s tightened in gerobogan (as resonator). The way to play is picking/pluck by fingers. Has function to fill the song balungan. Siter Celempung Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 15. Gambang The sound of this Ricikan is produced by by bilah made from wood, that’s put on gerobogan (as resonator). The way to play is stroked using two stick. Has function to fill the song balungan. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 16. Suling This Ricikan is made from bamboo. laras slendro suling has a four hole, and laras pelog has a five hole. Has function to fill the song balungan. The way to play is blown. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 17. Kemanak The shapes of this Ricikan is kelontong, there is two. The way to play is stroked. Has function to play the structual instrument Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 18. Kecer The shapes of this Ricikan is pencon, there is two, there is a tie in the middle par to hold by hand. Has function to play the structual instrument. Seni Kerajinan dan Pariwisata

Tabuh Gamelan (sticks) Seni Kerajinan dan Pariwisata

1.2 Structure gendhing Lancaran Lancaran is kind of gendhing that every 1 gongan consist of: 16 sabetan 4 strokes of kenong /  3 strokes of kempul /  8 strokes of kethuk / + Every 4 sabetan called one gatra. count 1 called litlle dhing count 2 called litlle dhong count 3 called big dhing count 4 called big dhong besar dhing . . . . 1 2 3 4 kecil dhong Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Scheme + +  +  +  +  +  +  + . . . . . . . . . . . . . . . g. description : sign of kenong sign of kempul + sign of kethuk Gg. sign of gong Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 1.3 Rules of Irama Gending lancaran able to played in three step: Irama lancar ( 1/1), every one sabetan balungan played once saron penerus’s strokes Irama tanggung ( 1/2), every one sabetan balungan played twice saron Irama dadi ( 1/4), every one sabetan played four of saron penerus’s strokes Seni Kerajinan dan Pariwisata

1.4.1 Titilaras Lancaran Manyar Sewu laras slendro pathet manyura 4 garap of each ricikan. 1.4.1 Titilaras Lancaran Manyar Sewu laras slendro pathet manyura Buka : . 1 . 6 . 1 . 6 . 5 . g3 Ompak : A. _. 5 . n3 . p5 . n3 . p5 . n3 . p6 . g5 B. . 6 . n5 . p6 . n5 . p6 . n5 . p3 . g2 C. . 3 . n2 . p3 . n2 . p3 . n2 . p! . Gg6 D. . ! . n6 . p! . n6 . p! . n6 . 5 . Gg3 _ Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 1.4.2 Notation of kendang Buka xxIx xIx xPx xB x.x xPx x.x xP a. x.x xPx x.x xP x.x xPx x.x xP x.x xPx x.x xP x.x xPx x.x xP b. _ xPx xPx xPx xP xPx xBx xPx xP xPx xBx xPx xP xPx xBx xPx xP _ repeated c. Bx xPx xPx xB xPx xPx xBx xP xPx xBx xPx xP xPx xBx xPx xP kd salahan d. Px x.x xPx x. xPx xBx xPx x. xBx xPx x.x xB x.x xPx x.x x. suwuk kendang’s chyclus : Buka - a - b - b - c - _ b - b - b - c _ - b - b - b - d/suwuk. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 1.4.2 Bonang barung Technique tabuhan : a. part of buka by mbalung notation : . ! . 6 . ! . 6 . 5 . Ge ji nem ji nem ma lu BB : . 1 . 6 . 1 . 6 x3. xx3 . e e Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata b. Part of umpak by gembyang, that is left hand and right hand strokes the same tonesbut there is interval one oktaf (example :3 and #) direction of every tone that’s played in one gatra is seleh or big dhong. Stroked in dhing . Not : . 5 . 3 . 5 . 3 . 5 . 3 . 6 . 5 BB : x3 . x3 . x3 . x3 . x3 . x3 . x5 . x5 . e e e e e e t t Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 1.4.3 Bonang Penerus in part of ompak, played the same tones of bonang barung, the differences is there is triplet strokes of bonang penerus in every: first stroke is between litlle dhing and bigdhong second stroke is in big dhing third stroke is in big dhong Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Not : . 5 . 3 . 5 . 3 BP: j.x3 . xx3 xxx3 j.x3 . xx3 xxx3 e e e e e e Not : . 5 . 3 . 6 . 5 BP : j.x3 . xx3 xxx3 j.x5 . x5 x5 e e e t t t Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 1.4.4 Saron Penerus Technique tabuhan is nacah that is stroking same as beat of irama (in irama lancar one stroke played once saron penerus’s stroke. Not : . 5 . 3 . 5 . 3 . 5 . 3 . 6 . g5 Sp : 3 5 5 3 3 5 5 3 3 5 5 3 3 6 6 5 Not : . 6 . 5 . 6 . 5 . 6 . 5 . 3 . g2 Sp : 5 6 6 5 5 6 6 5 5 6 6 5 5 3 3 2 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 1.4.5 Ricikan Balungan Yang termasuk ricikan balungan adalah: Slenthem, Demung Saron barung. Cara tabuhannya adalah mbalung, yaitu menabuh sesuai dengan notasi gending yang tertulis. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 1.4.6 Ricikan Struktural 1.4.6 Ricikan Struktural Yang termasuk ricikan struktural adalah: kethuk / kempyang, kenong, kempul dan gong. Cara tabuhannya adalah mbalung sesuai dengan tanda pukulan ricikan masing-masing. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 1.5 Memainkan reportoar Gendhing Bentuk Lancaran Lancaran Manyar Sewu, Laras Slendro Pathet Manyura Buka .1. y .1 . y .t. g3 Irama Lancar (1/1) _ . 5 . 3 . 5 . n3 . 5.3 .6.g5 . 6 . 5 . 6 . n5 . 6.5 .3.g2 . 3 . 2 . 3 . n2 . 3.2 .!.g6 . ! . 6 . ! . n6 . !.6 .5.g3 _ Peralihan ke irama Tanggung . ! . 6 .! . n6 . ! .6 525g3 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Irama Tanggung ( ½ ) 5 2 5 3 5 2 5 n3 5 2 5 3 6 3 6 g5 6 3 6 5 6 3 6 n5 6 3 6 5 3 1 3 g2 3 1 3 2 3 1 3 n2 3 1 3 2 ! 5 ! g6 Peralihan ke irama dadi ! 5 ! 6 ! 5 ! 6 ! 5 ! 6 .5.2352g3 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Irama Dadi ( ¼ ) .5.2352n3 .5.p2352n3 .5.p2352n3 .6.p3563g5 .6.p3563n5 .6.p3563n5 .6.p3563n5 .3.p1231g2 .3.p1231n2 .3.p1231n2 .3.p1231n2 .!.p56!5g6 .!.p56!5n6 .!.p56!5n6 .!.p56!5n6 .5.p2352ng3 _ Peralihan ke irama tanggung .!.56!5n6 .!.56!5n6 .!.56!5n6 5 2 5 g3 Peralihan ke Irama Lancar : ! 5 ! n6 ! 5 ! n6 ! 5 ! n6 . 5 .g3 Seni Kerajinan dan Pariwisata

Manyar Sewu, Lancaran Laras Slendro Pathet Manyura Seni Kerajinan dan Pariwisata