THEATER ART

PEOPLE THEATER FUNCTIONS FUNCTION – PEOPLE THEATER FUNCTION: 1. MYSTERIOUS STRENGTH CALLER 2. MEET PATRON SPIRITS TO PRESENT AT SHOW 3. CALL SPIRITS GOOD TO CHASE AWAY EVIL GHOST. 4. WARNING IN ANCESTOR WITH SHOW ALSO THE HEROISM. 5. CEREMONY COMPLETION CONNECTS WITH SOMEBODY STANDARD OF LIVING WARNING. 6. CEREMONY COMPLETION TO MOMENT CERTAIN IN TIME CYCLE. 7. AS COMFORT MEDIA. Hal.: 2 Isi dengan Judul Halaman Terkait

PEOPLE THEATER GENERAL FEATURE AMONG OTHERS 1. STORY WITHOUT DRAFT AND WORKED ON BASED ON HISTORY EVENT, TALE, MYTHOLOGY OR LIFE EVERYDAY. 2. PRESENTATION WITH DIALOG, DANCE AND SONG 3. CHIC ELEMENT ALWAYS APPEARS 4. VALUE AND SOLD OUT DRAMATIK DONE SPONTANEOUSLY AND IN ONE SCENE FOUND TWO EMOTION ELEMENTS ALL AT ONCE THAT IS LAUGH AND CRY. 5. SHOW TO USE WASP OR TRADISIONAL MUSIC. 6. ONLOOKER FOLLOWS TO SHOW ACCORDING TO RELAX AND INTIMATE EVEN INVOLVED IN THE THEATRE OF BY DIRECT DIALOG WITH PLAYER. 7. USE REGIONAL LANGUAGE. Hal.: 3 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait PEOPLE THEATER Hal.: 4 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait CHARACTER ART PRINCIPAL STRENGTH THAT IS FASCINATION A SHOW THEATER ACTING OR BEHAVIOUR PLAYERS IN PLAY THE PART OF APPROPRIATE FIGURE WITH CHARACTER DEMAND IN DRAFT. Hal.: 5 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait CHARACTER Hal.: 6 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait ACTING 1. FIRST LESSON: CONCENTRATION 2. SECOND LESSON: EMOTION MEMORY. 3. THIRD LESSON: SOLD OUT DRAMATIK 4. LESSON FOURTH: CHARACTER DEVELOPMENT 5. LESSON FIFTH: OBSERVATION 6. SIXTH LESSON: RHYTHM 7. VOICE AND CAPABLE Hal.: 7 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait ACTING STYLE TEATRIKALISME PRACTICE THEATER THAT STARTING FROM OPINION THAT THEATER. REALISM EATER MUST BE ILLUSION OR REAL LIFE MIRROR (REALITY). Hal.: 8 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait SEVERAL TERMS IN THEATER Hal.: 9 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait 1. ROUND ROUND IS PART FROM DRAMA EXECUTANT. ONE LAKON DRAMA MAY BE HAPPEN FROM ONE, TWO, OR THREE ROUNDS MAY BE ALSO MORE. Hal.: 10 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait 2. SCENE SCENE PART FROM ROUND. A ONLY DESCRIBE ONE ATMOSPHERE THAT BE PART FROM ATMOSPHERES SERIES IN ROUND. Hal.: 11 Isi dengan Judul Halaman Terkait

3. PROLOGUE PROLOGUE INTRODUCTION IN DRAMA EXECUTANT. Hal.: 12 Isi dengan Judul Halaman Terkait

4. epilogue epilogue casing word that end staging. Hal.: 13 Isi dengan Judul Halaman Terkait

DIALOG CONVERSATION PLAYERS. Isi dengan Judul Halaman Terkait

6. MONOLOGUE MONOLOGUE CONVERSATION A PLAYER BY SELF Hal.: 15 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait 7. FACIAL EXPRESSION FACIAL EXPRESSION FACE GESTURE EXPRESSION (FACE WATER) TO SHOW EMOTION THAT UNDERGONE PLAYER. Hal.: 16 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait 8. GESTUR GESTUR BIG MOVEMENTS, THAT IS FOOT GESTICULATING, HEAD, AND BODY IN GENERAL THAT DONE PLAYER. Hal.: 17 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait 9. BLOKING RULE MIGRATES FROM PLACE ONE TO OTHER PLACE SO THAT PLAYER APPEARANCE NOT WEARISOME Hal.: 18 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait 10. GAIT GAIT DIFFER FROM BLOKING BECAUSE GAIT INTERPRETTED SPECIAL MARKING IN WALK AND MANNER MOVES PLAYER. Hal.: 19 Isi dengan Judul Halaman Terkait

EXECUTANT ELEMENTS THEATER 1. STORY THEME 2. MESSAGE 3. PLOT A. EXPOSITION B. CONFLICT C. COMPLICATION D. CRISIS E. RESOLUTION F. DECISION 5. DIALOG 6. SETTING 7. INTERPRETATION Hal.: 20 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait SHOW DRAFT PLAYER STAGE MANAGER MAKEUP ORDER ORDER BIARAMA GRAND STAND ORDER LAMP ORDER VOICE ORDER PENTONTON Hal.: 21 Isi dengan Judul Halaman Terkait

Isi dengan Judul Halaman Terkait THANK’S Hal.: 22 Isi dengan Judul Halaman Terkait