5. PLAYING RICIKAN GENDER To Knowing Ricikan Gender

5.1 To Knowing Physical of Gender Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.1.1 Names the parts of Gender Wilahan Sanggan Breminto Dhendha up Srawing Luwengan Bumbungan Adeg-adeg down Srawing Palemahan Cakaran Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.1.2 Parts of Bumbungan: Tumbengan Suwegan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.1.3 Parts of Wilahan / Bilah: Wilahan Lubang Pluntur Bremoro / Sindik Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.1.4 STICKS / TABUH GENDER: Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.2 Function & Job of Gender karawitan ansamble. Pemangku lagu Pamurba lagu (when there aren’t rebab & bonang) Thinthingan Grambyangan Buka To fill Balungan Pathetan Ada-ada Grimingan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.3 Tecnique to Play Gender Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.3.1 Technique to Hold Tabuh Gender Right hand position The bottom of tabuh is in the midlle of hand. Stick is cliped by index and middle finger. Litlle and ring finger was bend up. Hands position is face down up on the margin of wilahan inside part (close to the body). Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next Left hand position : The bottom of tabuh is in the midlle of hand Stick is cliped by index and middle finger. Litlle and ring finger was bend up. Hands position is at an angle up on the margin of wilahan inside part (close to the body). Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next left and right posistion when playing gender Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.3.2 Position of Body Position in playing Position of gender Position of left and right hand to hold sticks Tecnique of tutupan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next Sitting Position: Player is sit; which is two legs crossed (javanesse : sila) Look at the front side, Straight body (not curved), Calm, not turning head. Shoulder must push down, and only can moving elbow till top hand. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next Attitude Player: player must be concentration on the ansamble when playing. always remain about function and duty of gender in relation with balungan gendhing. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next when we play gender, the position of left and right hand is different, this is important to concerned, because this tecnique is influence to the sounds quality. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 5.4 To Read a Notation Writing System of Gender Example of gender notation 1 2 1 . 1 2 1 3 . . 1 2 3 1 2 6 1 2 1 3 1 2 1 6 . 1 6 1 2 3 5 2 Notation up of line By left hand Notation under the line By right hand Seni Kerajinan dan Pariwisata