TRADITIONAL HAIR BUN.

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1 TRADITIONAL HAIR BUN

2 TRADITIONAL HAIR BUN ( 3 )
Sanggul Pungut Tetembu from Central Sulawesi (Toli-Toli) Siput Ekor Kera from Riau Sanggul Lenggeng from NTT Sanggul Sikek from Bengkulu Sanggul Tali Kuantan from Kutai East Kalimantan Sanggul Rangkap from South Kalimantan Seni Kerajinan dan Pariwisata

3 13. Sanggul Pungut Tetembu from Central Sulawesi (Toli-Toli)
Pungut means hair bun. In Buol language is pelepah, like palm leaf which is still bud / close, when it is opened it is like a half moon. Characteristic of the bun : The shape of the bun is like a half moon and visible from the front The place of the bun is at the back symmetric. The hair of the client must be long ( ± as long as shoulders ) OMU : berwarna emas masih keturunan raja berwarna perak keturunan rakyat biasa Seni Kerajinan dan Pariwisata

4 Seni Kerajinan dan Pariwisata
Ornament of the bun : - OMU, ornament in the shape of a tree, the trunk is green color symbolize greatness, the tree means protection (shady) Source : Hj. Windrawati Sanggul-sanggul daerah Indonesia ( 2005 ) OMU : berwarna emas masih keturunan raja berwarna perak keturunan rakyat biasa Seni Kerajinan dan Pariwisata

5 TECHNIQUE OF MAKING THE BUN
Comb the hair neatly backward, pin at the hairline bottom Make a mold with the shape of a half moon which has been covered hair. Put the mold at the hair line bottom Fold the hair up, form to cover the mold. Cover with hairnet. Source : Sanggul-sanggul Daerah Indonesia Hj. Windrawati (2005) BSE-SMK TKR (2008) 1. Rambut disisir rapi diarahkan kebelakang, dijepit pada batas hair line bawah. Buat cetakan berbentuk bulan sabit yang sudah ditutup dengan rambut. Letakkan cetakan pada batas hair line bawah. Rambut dilekuk keatas, dibentuk menutupi cetakan. Ditutup dengan harnet. Seni Kerajinan dan Pariwisata

6 14. SANGGUL SIPUT EKOR KERA FROM BENGKALIS, RIAU
There are 15 kinds of hair buns, consist of 3 groups : 1. For teenagers 2. For Bride 3. For adult 1. There are 6 kinds of hair bun for teenagers : a. Siput Joget (from Siak Indrapura Kab. Bengkalis) b. Siput Bulat (Kabupaten Bengkalis) c. Siput Bingkar (Kabupaten Bengkalis) d. Siput Limau Manis (Kabupaten Bengkalis) e. Siput Tnduk (Kabupaten Riau) f. Siput Ekor Kera (Kabupaten Bengkalis) Seni Kerajinan dan Pariwisata

7 JENIS-JENIS SANGGUL DI DAERAH RIAU
2. There are 4 kinds of hair bun for bride : a. Siput Lipat Pandan (Kabupaten Kampar) b. Siput Buntut Cigak Ekor Kera (Kab. Bengkalis) c. Siput Lintang (Siak) d. Siput Tanduk (Polo Penjengat Tanjung Pinang, kep. Riau) 3. There are 5 kinds of hair bun for adult : a. Siput Lintang (Indragiri Hulu) b. Siput Lipat Pandan (Siak) c. Siput Kucing Tido (Siak) d. Siput Jonget (Siak) e. Siput Naga Bejuang Yang membedakan antara keturunan raja (bangsawan) dan rakyat biasa pada ornamen dan busananya. Seni Kerajinan dan Pariwisata

8 SANGGUL SIPUT EKOR KERA FROM BENGKALIS, RIAU
Characteristic of the bun : Hair can be with bouffant to suit the shape of the face, the head and the body. The length of additional hair is ± 100 cm The shape of the bun is like a monkey tail, the length must not touch the shoulders. Ornament of the bun : 1. short Jurai 5 or 7 sets (1 piece), the length of the jurai 1½ spans 2. Tusuk paun (ringgit) 3 pieces 3. Kembang melur, kenanga, yellow and white Kantil Seni Kerajinan dan Pariwisata

9 TECHNIQUE OF MAKING THE BUN
Tight hair as high as 7 fingers from the bottom head. Make sawok ayam mengeram (a brooding hen) at the bottom head The shape is like tidy snail Sumber : Sanggul-sanggul Daerah Indonesia Hj. Aisyah Jafar (2005) 4. The snail must not touch the collar of the cloth 5. Ayam mengeram is made after finishing the snail 6. Form ayam mengeram at the bottom head 7. Cover with hairnet and neat it 8. The size of the bun is suit with the shape pf the head and body of the client. Seni Kerajinan dan Pariwisata

10 Seni Kerajinan dan Pariwisata
ATTACHING ORNAMENT Short Jurai 5 or 7 sets (1 piece), the length of jurai is 1½ spans, it is attached at the snail at the right side hanging down. Tusuk paun (ringgit) 3 pieces and attached at the middle of the snail. Kembang melur, kenanga, yellow kantil 3 pieces at the top, and white kantil 2 pieces at the bottom. Flowers can be fresh or imitation. Dari saten is attached on the snail at the left side 5pieces Sumber : Sanggul-sanggul Daerah Indonesia Hj. Aisyah Jafar (2005) Jurai pendek 5 atau 7 untai (1 buah), panjang 1 ½ jengkal, dipakai pada siput di kanan menjuntai kebawah. Tusuk paum (ringgit) 3 buah dipasang pada tengah siput Kembang melur, kenanga, kantil kuning 3 buah diatas dan kantil putih 2 buah dibawah yang segar atau imitasi Dari saten dipakai pada siput sebelah kiri sebanyak 5 buah Seni Kerajinan dan Pariwisata

11 15. SANGGUL LENGGENG FROM SIKKA, EAST NUSA TENGGARA
Characteristic : Hair without bouffant The hair is tight at the top head / crown The length of additional hair is ± 60 cm Ornament of the bun : Heging, from tusk of horn Soking, from gold or silver or imitation Source : Sanggul Daerah Indonesia Hj. Proyo Wardi (2005) Seni Kerajinan dan Pariwisata

12 TECHNIQUE OF MAKING THE BUN
The front and back hair is comb rightwardg disisir arah kekanan The hair is bind at the top head rather rightward, attach the additional hair The hair is rotated from the right upward and leftward. The front part is about 3 fingers from front hairline The shape of the circle bun consist of the “top” and the “crown” The end of the hair is tuck from the front backward through the bottom circle of the bun. Source : Sanggul-sanggul daerah Indonesia Hj. Proyo Wardi (2005) 1. Rambut bagian depan dan belangdisisir arah kekanan Rambut disatukan pada bagian atas kepala, agak kekanan. Pasang cemara Rambut dilingkarkan dari kanan kedepan dan kekiri. Bagian depan kira-kira 3jari dari hair line depan Bentuk lingkaran sanggul meliputi “ top dan crown Ujung rambut diselipkan dari depan kebelakang melewati lingkaran sanggul bawah Seni Kerajinan dan Pariwisata

13 Seni Kerajinan dan Pariwisata
ATTACHING ORNAMENT Heging, an antique shape of ornament (small stick) sharp at both ends, made from elephant tusk or horn Soking, like heging is made from gold, silver or imitation with ornament on one of its ends Heging and Soking are attached at the left and right across the middle of the bun. The ends are visible at the sides of the bun. Source : Sanggul Daerah Indonesia Hj. Proyo Wardi (2005) 1. Heging, hiasan berbentuk antik (tongkat kecil) yang meruncing pada kedua ujungnya, terbuat dari gading atau tanduk Soking, seperti heging terbuat dari emas,perak atau imitasi yang ada hiasan pada salah satu ujungnya. Heging dan Soking dipasang pada kiri dan kanan melewati garis tengah sanggul. Ujungnya terlihat pada sisi sanggul Seni Kerajinan dan Pariwisata

14 16. SANGGUL SIKEK FROM BENGKULU
Kinds of Hair Bun from Bengkulu : Sanggul Roda is used by youths Sanggul Lebar is used by married women Sanggul Sikek used by new brides. Characteristic of Sanggul Sikek : Hair without bouffant Using sunggar The length of additional hair is 85 cm The shape of the bun is round Ornament of the bun : Sikek bulan Sumber : Sanggul Daerah Indonesia A pair of jasmine from metal Sri E. Djakse (Alm.) A pair of kembang intan Seni Kerajinan dan Pariwisata

15 TECHNIQUE OF MAKING THE BUN
1. Comb the hair back neatly, form soak (sunggar) 2. Tight hair ± 5 – 7 fingers from bottom hairline 3. Tight the additional hair at the hair bind, attach the sikek 4. Twist the hair so that solid and smooth 5. Form the nun by rotating the hair Around the sikek from left rightward. The shape of the bun is round. 1. Rambut disisir rapi kebelakang, membuat soak (sunggar) 2. Ikat rambut ± 5 – 7 jari dari hair line bawah 3. Ikatlah cemara pada ikatan rambut, pasang sikek 4. Pilin rambut supaya padat dan licin 5. Membentuk sanggul dengan cara melingkarkan rambut disekeliling sikek dari arah kiri kekanan. Sanggul berbentuk bulat. Seni Kerajinan dan Pariwisata

16 Seni Kerajinan dan Pariwisata
ATTACHING ORNAMENT Sikek bulan is attached at the middle of the bun A pair of flower ‘me’ is attached at the right and left of the sikek bulan A pair of “tonglei” Source : Sanggul-sanggul Daerah Indonesia Sri E. Djakse (alm.) 1. Sikek bulan dipasang pada tengah sanggul Sepasang kembang ‘me’ pada kanan kiri sikek bulan Sepasang tonglei Seni Kerajinan dan Pariwisata

17 17. GELONG TALI KUANTAN FROM KUTAI, EAST KALIMANTAN
Characteristics : Hair without bouffant The place of the bun is at the top head, assymetric The shape of the bun is round Ornament for the bun : Kutu ( Buds of jasmine) Kembang goyang one piece Source : Sanggul Daerah Indonesia H. Fauziah Rusbandi (2005) Tools Used To : Peminggi from bamboo, size 2 cm wide and 20 cm long 2. Combs 3. Pins 4. Hairnet 5. Additional hair ± 90 cm long Seni Kerajinan dan Pariwisata

18 TECHNIQUE OF MAKING THE BUN
Comb hair without bouffant a line with the ears. Perminggi is attached rather slant leftward. The hair is rotate leftward twice with the width ± 10 cm or comply with the shape of the head and the length of neck. Tuck the end of the hair into the circle. Source : Sanggul-sanggul Daerah Indonesia H. Fauziah Rusbandi (2005) Rambut disisir tanpa disasak sejajar dengan daun telinga Perminggi dipasang agak miring kearah kiri Rambut dililitkan kearah kiri 2 kali lilitan dengan tinggi ± 10 cm atau sesuai bentuk kepala dan tinggi leher Sisipkan sisa ujung rambut pada lilitan Seni Kerajinan dan Pariwisata

19 Seni Kerajinan dan Pariwisata
ATTACHING ORNAMENT Ganti perminggi and kembang goyang one set at the top of the bun Attach kutu (buds of jasmine) around the bun Source : Sanggul-sanggul Daerah Indonesia H. Fauziah Rusbandi (2005) Seni Kerajinan dan Pariwisata

20 18. SANGGUL RANGKAP FROM SOUTH KALIMANTAN
Characteristic of the bun : Hair without bouffant The length of additional hair is 100cm Using sunggar 4. The shape is double bun (sanggul rangkap) 5. The place of the bun is at the top head. Ornament of the bun : Source : Sanggul Daerah Indonesia Jasmine Hj. Titi Bambang, 2005 Kembang goyang rangkap Seni Kerajinan dan Pariwisata

21 TECHNIQUE OF MAKING THE BUN
Make sunggar (bouffant) from the hair Tight at the top of the head. Attach an additional hair (cemara) at the hair bind Additional hair is twisted rotating leftward to form a circle toward the end of the additional hair, pull it inward and make a smaller circle again to form double circles. Source : Sanggul-sanggul Daerah Indonesia Hj. Titi Bambang, 2005 Seni Kerajinan dan Pariwisata

22 Seni Kerajinan dan Pariwisata
ATTACHING ORNAMENTS Jasmine is set like corn chain (karang jagung) by using a piece of young coconut leaf stem (lidi janur), the length is ± 50 cm, attach around the bun. Kembang goyang rangkap (double shaking flowers), 1 or 2 piece, pin at the middle top of the bun. Source : Sanggul-sanggul Daerah Indonesia Hj. Titi Bambang, 2005 Bunga melati dirangkai secara karang jagung dengan mempergunakan sebatang lidi yang masih basah (janur), panjang ± 50 cm, dililitkan disekitar sanggul Kembang goyang rangkap, 1 atau 2 buah ditusukkan pada tengah sanggul diatas. Seni Kerajinan dan Pariwisata

23 Cosmetic Used to Form Hair Bun
Hair spray Styling Spray Seni Kerajinan dan Pariwisata

24 Equipment Used to Form Traditional Hair Bun
Tail comb Bouffant comb Bouffant smoothen Big pincurls Big hairpins Straight pins

25 Seni Kerajinan dan Pariwisata
Additional hair Mannequin Rubber string Standart Seni Kerajinan dan Pariwisata

26 Seni Kerajinan dan Pariwisata
THANK YOU Seni Kerajinan dan Pariwisata