Recognize Ricikan Rebab 3. PLAYING RICIKAN REBAB Recognize Ricikan Rebab

Memainkan Ricikan Individu Rebab Mengenal ricikan Rebab Fungsi & tugas Teknin memainkan Notasi / titilaras rebab Memainkan Rebab gendhing bentuk Ketawang Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1 To Know Physical Rebab Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1.1 Parts of Rebab a. Watangan b. Bathokan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata c. Sikilan d. Senggreng (Kosok) Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1.2 Watangan Parts of watangan are: Menur Irah-irahan Bahu (mangol) kupingan Melathi irung-irungan. Watang Up Popor Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1.3 Bathokan Dodot Bathokan Babat Kawat Srenten Down Popor Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Deder Dodot Nawa Seser Sruwing Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1.4 Sikilan Down Popor Cakil Sikilan Palemahan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1.5 Senggreng Ukel / Sirah Bajul Bobat Rangkung Lombokan Bendha / Gayaman Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1.6 Srenten Bagian-bagiannya adalah sebagai berikut Sirah Blerekan Bapang Jangga Alas Kruwingan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1.7 kinds of Rebab a. from its colour Rebab byur (satu warna) - Byur kuning - Byur hitam, - Byur coklat, Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Plonthang ( dua warna ) watang kuning, yang lain coklat watang coklat, yang lain kuning watang hitam , yang lain kuning Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata b. Material Woods Rebab wood that’s usually used: kemuning wood, sana wood, mentaos wood, galeh asem wood, lotrok wood,etc. Ivory Rebab Horn Rebab Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata from few materials, usually we combine: ivory rebab combinied with wood, horn. In rebab plonthang , for the black colour, we use horn, and the yellow colour by ivory. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.1.8 Rebab’s function Rebab plonthang used to laras slendro. Rebab byur used to laras pelog. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.2 Function and job of Rebab In karawitan ansamble Senggrengan Pathetan Buka to fill Balungan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.2.1 Senggrengan Senggrengan is kind of song to give instrument (rebab’s song) that played by rebab before playing pathetan and part buka. function of Senggrengan (rebab) is to make making a melody situation, same as the pitch of song to be played. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.2.2 Pathetan Pathetan is a short song played after senggrengan, before buka or bawa. Function of pathetan (rebab) is to make a melody situation, same as the pitch of the song to be played. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.2.3 Buka Buka is a first songs santences (in biginning part) that’s can played by : rebab, gender, bonang dan atau vocal (bawa, sindhen). Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.2.4. To Fill Balungan Balungan gendhing is just a main melody that’s must be filled, addicted, and developed. Ricikans that’s have ability to do that is: rebab, gender, bonang, siter, etc. in this case, function of rebab is to fill, making a beautyness for balungan with cengkok and wiled (rebabs songs). Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3 Technique to play Rebab position of Rebab Position of left hand in holding rebab Fingers step Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.1 attitude in playing Player is sit with two legs crossed (javanesse : sila) Look at the front side, Straight body (not curved), Calm, not turning head. always remain about function and duty of gender in relation with balungan gendhing, so that’s the sounds is not fals. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.2. Position of Rebab Rebab is hold by left hand straighty, do not move left nor right, not move front or back. Erected in front of player, but not to close or even tofar with the player body. In relation with position, so we can say : Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Rebab is straight, when we bowing bought strings. Rebab is move to the right when we bowing the left string Rebab is move to the left when we bowing the right string Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.3 left hand holding the Rebab Hands face is directed to the right The four finger is closed and straight Main finger is curved Watang rebab is clipped Teknik 1 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next Larass finger that’s straight, than moved curved, to the strings direction ; so that’s ready to make a tones. the elbow can not move up, to out direction, but keep down, so the player is comfortable. Teknik 2 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.4 Fingers Step A1 Fingers step is how the finger steping to the strings to make a sounds. Before we explained about larass finger, we,ll give a sign for those fingers. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next the a finger, has a 3 way to step on the strings : Top of the finger If the tones by the a finger have a short interval with the tones from the b finger If tone point of 1 ( ji, penunggul ) in laras pelog pathet nem or tone point of 5 in laras pelog pathet barang Pelog pathet nem: z1x x c2z x c3z x x x xc5z x c6 a b c d - Pelog pathet barang: z5x x c6z x c7z x x x 2z x c3 a b c d - Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.5 finger step A2 Use the side of finger (fingers is curved) If the tones by the a finger have a short interval with the tones from the b finger If the tones by the 1 ( ji, barang ) in laras slendro. :z1x x x c2z x x c3z x x c5z x x c6 a b c d - Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.6 finger step A3 Use the side of finger (fingers is straight) If the tones by the a finger have a short interval with the tones from the b finger Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next If the tones by the 7 ( pi, barang ) in laras pelog pathet barang or If the tones by the 6 ( nem ) in laras pelog pathet nem. Pelog pathet barang : z7x x x x x c2z x c3z x x x x c5z x c6 a b c d - Pelog pathet nem : 6x x x x x c1z x c2z x c3z x x x x c5 a b c d - Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.7 finger step B1 b finger step on the strings near with the nail. The a finger is move closed to the b finger to make a gregel (vibration). Look at the picture below Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.8 finger step C Jari c menimbulkan/midak titik nada pada kawat dengan “ujung jari” . Pada saat jari c midak nada pada kawat jari a dan b merapat diatasnya dengan maksud untuk menimbulkan greget seperti pada pidakan jari b. There are view stuff we must concerned when the c finger step on the strings. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next Hand was curved ( javanesse: ugel-ugel ) so that’s the c finger able to touch the point of the tone. Its done when there is a long interval between b finger and c finger. example : the tone 3 in laras slendro. there is a long interval between tone 2 dan 3. 2. Hands face doesn’t closed to watang, so that’s moveble. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next 3. Holder point, is a point on the watang, where the bottom of the hands face is quiet, doesn’t move up or down. If we want to change the c finger step to the a finger step, so the top hand is straight, than back to the a tone point. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.9. finger step D1 There is 2 way, how to using a d finger : Use the top of finger. If there is a short interval between c finger and d finger. Example is tone point 7 ( barang ) in laras pelog pathet barang. Laras pelog pathet barang: z2x x c3z x x x x c5z x c6z x c7 - a b c d Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.10 finger step D2 Use the side of finger: If there is a long interval between c finger and d finger. example: tone point 2 in laras pelog pathet barang and tone point 1 ( ji, barang ) in laras slendro Laras pelog pathet barang: Z 5x x c6z x c7z x x x x c2z x c3 a b c d - Laras slendro : Z 3x x x c5z x x c6z x x c1z x x c2 a b c d - Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next We must concerned to cerved the hand just like what we do in c finger step. We must know that’s the d finger is often to making two tones called “besut”technique and to making a special tone called “ngawil“ technique. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.3.11 the right hand hold a bow ( GESEK ) Right hand is holding a bow; that’s used to bowing the strings. There is a fiew way to hold it: technique 1: a.Hand face is straight, directed to the rebab. b. Bendho ( bow part) put on the index c. Main finger is pressed up d. Ring finger and litlle finger hold bobat to the lombokan. Look at the picture bellow Teknik 1 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata next Technique 2 Hand face is straight, directed to the rebab. b. Main finger press the bendho d. Ring finger and litlle finger hold bobat at the lombokan . Tchnique 2 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 3.4 Penerapkan cengkok-cengkok rebaban pada repertoar gendhing bentuk ketawang. Puspogiwang, Ketawang Laras Pelog pathet Barang Buka : ?7 |t ?y |7 ?3 |3 ?j32 |2 ?3 |j23 ?j72 |j72 ?3 |2 ?j27 |gy 7 t y 7 3 5 3 n2 5 3 2 p7 3 2 7 gy ?7 |t ?jy7 |7 ?j73 |3 k?2j32|2 j?23 |j23 ?j72 |j7?7 j|3k?32|2 ?k3j27|y ?7 |t k?tjy7|7 k?7j23|3 k?2j32|2 j?23 j|23 ?j72 |j7?7 j|3k?32|2 k?3j27j|23 aa Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Ngelik : 3 3 . . 3 3 5 n6 7 @ 7 p6 3 5 3 g2 j.?3 j|3k.?3j.|3j?3k.|3 j.?3 k|5j6k.?6j.|6j?6k.|6 ?j7@ |@ k?@j76j|67 k?5j63j|27 k?2j32|2 b 6 7 3 2 6 7 2 n3 5 6 5 p3 2 7 t gy j.?y j|72 k?2j32j|23 j.?y |j72 ?k2j32j|35 j?56 |6 j?35 j|67 ?2 j|32 jk?3j27|y ab b Seni Kerajinan dan Pariwisata