TRADITIONAL HAIR BUN

2 THINGS IN SETTING TRADITIONAL HAIR BUN 1. Design Traditional Hair Bun : a. the balance between the shape of hair bun and the size of the head, the height of body, the condition of the hair, the age and the purpose of the wearing the hair bun. b. harmonies, c. the tone, d. the shape of hair bun, e. the using of ornaments . 2. Factors which influence traditional hair bun setting a. The position of someone in the society. b. Characteristic of the tribes c. Characteristic of the region Seni Kerajinan dan Pariwisata 2

Seni Kerajinan dan Pariwisata TRADITIONAL HAIR BUN Indonesian Traditional Hair Bun Definition Traditional Hair Buns that have been standardized Sanggul Gampang Kemang (SGK) from Gayo Central Aceh Timpus from North Sumatra Malang from South Sumatra Cepal from DKI Jakarta Ciwedey from West Java Ukel Tekuk from DI Yogyakarta Ukel Konde from Solo Pusung Tugel from Bali Simpolong Tahang from South Sulawesi Pinkan from North Sulawesi Dendeng from West Kalimantan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata TRADITIONAL HAIR BUN Tetembu from Central Sulawesi (Toli-Toli) Ekor Kera from Riau Lenggeng from NTT Madura from East Java Sikek from Bengkulu Sanggul Tali Kwantan from Kutai East Kalimantan Sanggul Rangkep from South Kalimantan Samuu Mbanta from NTB Sanggul Nyi Mas Gampuran from Banten Sanggul Lipek Pandan from West Sumatra Sanggul Ekor Burung from Ambon, Maluku Sanggul Jambul Lipet from Central Kalimantan Belatung Gelang from Lampung Seni Kerajinan dan Pariwisata

Traditional Hair Bun for the First Meeting, Consist of Simpolong Tattong from Bugis, South Sulawesi 2. Sempol Gampang Kemang from Gayo, Central Aceh 3. Timpus from North Sumatatera Gelung Malang from South Sumatra Pingkan from Minahasa, North Sulawesi 6. Dendeng from Ketapang, West Kalimantan Seni Kerajinan dan Pariwisata 5

Cosmetic Used to Form Hair Bun Hair spray Styling Spray Seni Kerajinan dan Pariwisata 6

Seni Kerajinan dan Pariwisata Additional hair 3. Mannequin Rubber string 4. Standart Seni Kerajinan dan Pariwisata

Equipment Used to Form Traditional Hair Bun Tail comb Bouffant comb Bouffant smoothen Big pincurls Big hairpins Straight pins 8

1. SIMPOLONG TATTONG FROM BUGIS, SOUTH SULAWESI Sempolong means sanggul (hair bun) Tattong means tanduk (horn) Tanduk kerbau (buffalo horn) is considered thing that has magical power . Characteristic of the bun : Hair is not back combed The length of cemara is ± 70 cm The height of the bun is ± 20 cm The place of the bun is at the back mess, ± 4-5 fingers from the bottom hair line Using pasio (lungsen) The rest hair is made bulek (anak tattong) Seni Kerajinan dan Pariwisata 9

Seni Kerajinan dan Pariwisata STEP OF MAKING THE BUN Make the pasio at the top mess ± 3 fingers Comb the hair and tight back, ± 5 fingers from hair line Attach cemara, twist, fold towards the hair tight about 1 span (jengkal. Ujung lipatan harus terlihat dari depan. Sisa rambut dibuat bulek/anak tattong/bukle Pasio dilepas dan diikat pada ujung sanggul untuk menguatkan sanggul 5. Memasang oranament : a. Patinra (bando) b. Kutu-kutu (kuncup melati) c. Patodo sibali d. Pinang goyang berjumlah ganjil e. Bunga lima macam warna → rukun Islam Seni Kerajinan dan Pariwisata 10

2. SANGGUL GAMPANG KEMANG (Gayo, Central Aceh) Characteristic: 1. The hair is not combed back 2. The bun is exactly on the top of the head 3. Sunggar (bouffant hair) can be made from the hair itself 4. The length of hair is 60 – 80 5. The form of hair is asymmetric, bigger and wider on the right 6. Using sempol string 2 – 3 fingers 11

Steps of Styling The Sempol Gampang Kemang Hair Bun 12

Steps of Styling The Hair Bun 1. Take the front middle hair about 2 to 3 fingers for Sempol string 2.Tie all hair together on the top mess, attach the hair addition on it 3. Attach the lelayang ornament before forming the bun 4. Form the bun with the right side bigger and lined up with the ears, then do the left side 5. Attach sempol string 6. Attach ornament 7. Pating emas 3 pieces 8. Pating ranggiep 1 piece on the root hair 1. Ambil rambut depan tengah sekitar 2-3 jari untuk tali sempol. Ikat semua rambut di ubun-ubun dan pasang cemara. 3. Bentuk sanggul dg sebelah kanan lebih besar sejajar telinga kemudian sebelah kiri. 4. Pasang tali sempol

3. SANGGUL TIMPUS (Batak, Toba, North Sumatra) Characteristics: 1. The location of the bun is asymmetric 2. Without a hair addition , therefore mainly own hair is used 3.The style of the bun is like a whirl 4. It has a line Whirl = pusaran

Steps of Forming The Bun 1. Make a line at The front part of the hair 2. Tie up all the hair at the back rightward, twist it up to the end to ease the whirl making 3. The end of the hair is formed like a small bun then tuck it into the right hair 2 fingers above the ear. The bun hung behind the ears 15

Seni Kerajinan dan Pariwisata Attach the ornaments - Betel leaves : 3 pieces - Gondang-gondang : 2 pieces - On the bun can be attached a betel nut (pinang), tobacco, and lime (kapur sirih) Seni Kerajinan dan Pariwisata 16

4. GELUNG MALANG (Palembang, South Sumatra) Characteristics : 1. The form of the bun is like number 8 or a tie 2. The location of the bun is on the top head facing up 3. The length of hair addition is 100 cm 4. The hair is not back combed 17

Steps to Form the Bun Tie together all the hair about 10 cm from the front growing hair line Attach the additional hair, twist it and form like a tie from the left side then to the right side, the hole is facing up. The rest hair is tucked in the middle. Attach the ornament - Pick rose 5 pieces on the left and 5 pieces on the right exactly on the bun hole - Sisir / gandik is put at the center of the head in front of the bun - Magnolia (bunga cempaka), in line on the bun 5 pieces - Kembang goyang 5 pieces - Fresh flowers if desired 18

Seni Kerajinan dan Pariwisata Steps to Form the Bun Seni Kerajinan dan Pariwisata 19

5. KONDE PINGKAN FROM NORTH SULAWESI Konde Pingkan started in the age of 17 (in the year 1690) in Tanah Wangko, Minahasa, that there was a girl named Pingkan who had a very long hair hanging down until touching the floor and often been pleated (cako). There are four kinds of typical hair bun from Minahasa : Sanggul Menado/Minahasa Sanggul Gorontalo Sanggul Bolaang Mongondow Sanggul Sangir Talaud Seni Kerajinan dan Pariwisata 20

Seni Kerajinan dan Pariwisata Characteristic of Konde Pingkan : The front part of the hair is back comb and without division (belahan) The back part is divided into two for pleating (cako) Ornament is in the form of rose / other fresh flower a. At the left, if the girl isn’t married b. At the right, if she is married. Seni Kerajinan dan Pariwisata 21

STEPS OF FORMING THE BUN The front part of hair is directed frontward. The edge of the hair is back comb as long as ± 5 cm 3. Draw back the hair backward and neat it. 4. The back part is divided into two vertically to form pleats (cako) Seni Kerajinan dan Pariwisata 22

6. SANGGUL DENDENG FROM KETAPANG, WEST KALIMANTAN Sanggul Dendeng is also called sanggul lipat pandan. The word dendeng means terpampang (showed up). The characteristic of the bun : Hair is not back combed The bun is at the crown ± 5 fingers form front hair line There’s a hole facing front and back. The length of cemara is 80 cm Ornament of sanggul Dendeng : Bunga goyang in the form of teratai with 3 stages 5 pieces. Jasmine arrangement 7 sets Mogam, from jasmine which is set on pandan leaf, 4 sets. Seni Kerajinan dan Pariwisata 23

STEPS OF FORMING THE BUN Comb the hair neatly backward. Tight as high about above the head center. Attach cemara, make a fold rather oval upward and leftward, fold again rightward until it form a tie. The end of cemara is fold to the middle, by slipping it in the left and right, tight it strongly. The place of bun is at the crown, the hole is facing front and shown up. Seni Kerajinan dan Pariwisata 24

STEPS OF FORMING THE BUN 5. Attaching ornament : Bunga goyang in the form of teratai in 3 stages in odd number are attached above the bun Mogam is put in the hole of the bun facing front and back. Jasmine arangement 7 sets are pud on the bun at the back. Seni Kerajinan dan Pariwisata 25

Seni Kerajinan dan Pariwisata THANK YOU Seni Kerajinan dan Pariwisata 26