TRADITIONAL HAIR BUN - 4

TRADITIONAL HAIR BUN ( 4 ) 1. Sanggul Samuu Mbanta from West Nusa Tenggara 2. Sanggul Nyi Mas Gamparan from Banten 3. Sanggul Lipek Pandan from West Sumatera 4. Sanggul Ekor Burung from Ambon, North Maluku 5. Sanggul Jambul Lipet from Dayak, Central Kalimantan 6. Sanggul Belattung Gelang from Lampung Seni Kerajinan dan Pariwisata

19. Sanggul Samuu Mbanta from West Nusa Tenggara Sanggul Samuu Mbanta is from Samuu Mbojo. Samuu is hair bun, Mbojo is Bima (the name of regency). Samuu Mbojo consist of : Samuu Tuu and Samuu Mbanta - Samuu Tuu is the bun for a bride, with the form of bun like Sempolong Tattong - Samuu Mbojo is the bun for teenager and adult people, with the form like sanggul Malang Characteristic of the bun : The hair without bouffant The length of cemara is 80 -90 cm The form of the bun is symmetric like figure 8 laying, the bun doesn't touch the shoulders. OMU : berwarna emas masih keturunan raja berwarna perak keturunan rakyat biasa Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Complement of the bun Tail comb Bouffant smoothen 3. Big hairpins 4. Straight pins 5. Additional hair 6. Hair spray Seni Kerajinan dan Pariwisata

STEPS OF FORMING THE BUN 1. Comb the hair backward, make lungsen. 2. Tight the hair together at the back center, . 3. Attach cemara at the tight . 4. Form cemara : - Cemara is rather twisted and directed leftward (form oval) downward, right upward by forming the same circle - The end of cemara is tuck in the middle as the tighten the bun. - Darl / lungsen is tighten at the center of the bun. 5. Attach hairnet to make it tidy. Source : Sanggul-sanggul daerah Indonesia Hj. Endang W Puspoyo ( 2005 ) Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata ATTACHING ORNAMENT Fresh flower : kamboja, cempaka yellow and white. - At the right is yellow flower 5 – 7 bunch, symbolize the fertile. - At the left is white flower 5 – 7 bunch, symbolize holiness. S0urce : Sanggul-sanggul Daerah Indonesia Hj. Endang W. Puspoyo (2005) Seni Kerajinan dan Pariwisata

20. SANGGUL NYIMAS GAMPARAN FROM BANTEN Characteristic of the bun : The form is rather oval and rather lower The length of sentog (cemara) is ± 80 cm Using simple ornament, 1 hair pin (tusuk konde) from buffalo horns . There is sigang (jabing) Ornament of the bun : Sungki 1 piece, is made from buffalo horn. in the form of 6 leaves lengkungan in Source: Sanggul Daerah Indonesia golden yellow color with one leg. Hj. Aam siti Aminah, 2005 Sungki artinya wanita harus bangkit bahu membahu dalam bekerja dan harus mandiri Sigang (jabing) artinya untuk memperindah wajah Sentog artinya tidak ada putusnya mengharap rizki dan ridho Allah Rambang (Harnet) artinya menghemat rizki Warna emas : lambang kejayaan Banten Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata ACCESSORIES OF THE BUN 5. Additional hair 6. Hair spray Tail comb Bouffant smoothen 3. Big hairpins 4. Straight pins Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata STEPS OF FOMING THE BUN Part the hair into two section Tight the hair at the back, ± 3 fingers from the head bottom Attach sentog (cemara), draw leftward, twist upward and tuck into the edge of the cemara, rotate to form Kadal Menek (climbing lizard) Attach hairnet to neat the bun. Source : Sanggul-sanggul Daerah Indonesia Hj. Aam Siti Aminah, 2005 Yang membedakan antara keturunan raja (bangsawan) dan rakyat biasa pada ornamen dan busananya. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata ATTACHING ORNAMENT Sungki is attached at the bun Source : Sanggul-sanggul daerah Indonesia Hj. Aam Siti aminah, 2005 Seni Kerajinan dan Pariwisata

21. SANGGUL LIPEK PANDAN FROM WEST SUMATERA Sanggul Lipek Pandan malacuik kuduak is from West Sumatera, Kabupaten Tanah Datar Kanagarian Pagaruyung, Kecamatan Tanjung Emas, Batu Sangkar. The mystic / forbidden of using sanggul Lipek Pandan : A girl is not allowed to use this bun, because it will reduce her beauty and shine Characteristic of the bun : The hair without bouffant Using cemara as long as 125 cm The form of bun is like a tie Ornament of the bun : or 5 pieces of kembang goyang red rose or white, Source: Sanggul Daerah Indonesia fresh or corsage Hj. Elly Radjilis, 2005 3.Staging jasmine Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata STEPS TO FORM THE BUN Comb the hair backward, tight together under the crown. Attach Cemara, tight at the hair tight. Forming cemara : - Cemara is twisted rightward. - The edge of the tight is pinched with fore finger and middle finger, twist leftward. - Pin the edge tight, take the center of hair, tuck it into the left side of the hole. - The form of the bun is like a tie at the left side and the end is also tucked in to form the tie at the right. - At the right end is tight at the edge of the hair tight. Attach hairnet to make it tidy. Source : Sanggul-sanggul Daerah Indonesia Hj. Elly Radjilis (2005) Seni Kerajinan dan Pariwisata

STEPS OF ATTACHING ORNAMENT The red rose 2 pieces are attached on the right and left of the bun. Source : Sanggul Daerah Indonesia Hj. Elly Radjilis, 2005 Seni Kerajinan dan Pariwisata

22. SANGGGUL EKOR BURUNG FROM NORTH MALUKU The difference of using the bun : - middle age woman : using rather small round bun - young woman / girl : using the bun as big as medium size coconut Characteristic of the bun : Own hair / cemara as long as 60 – 70 cm 2. Hair without bouffant 3. The plce of the bun is at the crown a little bellow, round shape Ornament of the bun : Sumber : Sanggul-sanggul daerah Indonesia 1. Sosobako (untaian bunga non konde) Hj. Latje Nachrawy, 2005 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Steps of Form The bun Neat the hair at the right and left of the ears, draw out by using thumb to form the wing. Tight the hair together at the crown, can be back combed a little. Attach cemara. Steps to form cemara : - Cemara is twisted, rotate rightward, tuck the end into the tight, rotate to form the bun (konde) . - loose the lower part and a little drown out to form the bird, Source : Sanggul Daerah Indonesia Hj. Latje Nachrawy, 2005 Seni Kerajinan dan Pariwisata

STEPS OF ATTACHING ORNAMENT Take Sosoboko (a set of flower bunga non konde) from the tree paceda, the wood of paceda dried and take the inside. Sosoboko is lied around the bun. Source : Sanggul-sanggul Daerah Indonesia Hj. Latje Nachrawy, 2005 Seni Kerajinan dan Pariwisata

23. SANGGUL JAMBUL LIPET FROM DAYAK, CENTRAL KALIMANTAN Characteristic of the bun : Hair is back combed or without back comb Cemara medium, the length is 70 -80 cm Using lungsen The form of the bun is figure 8 and symmetric. STEPS OF FORMING THE BUN : Take a part of hair for lungsen Source : Sanggul Daerah Indonesia . Linda Nisida Nahson Taway, 2005 2. The front hair (2/3 part) is backed comb tidily (suit with the shape of the form of face and head), 1/3 the hair is tight neatly. Attach cemara on the tight. In order not breaking, spray with hairspray. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4. Form cemara : - Cemara is rotate leftward, upward then rotate rightward, then upward again and the end is at the center. - The end hair is tuck in neatly and strongly. - Neat the hair at the center with hairspray until pointed, tuck it into the cemara at the left side. 5. Attach hairnet to neat the bun 6. Ornament in the form of tusuk konde gold/imitation are attached to beautify the bun. Source : Sanggul-sanggul Daerah Indonesia Linda Nisida Nahson Taway - 2005 Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata The shape of Jambul Lipet is : Source : Sanggul-sanggul Daerah Indonesia Linda Nisida Nahson Taway, 2005 Seni Kerajinan dan Pariwisata

24. SANGGUL BELATTUNG GELANG FROM LAMPUNG Belattung means sanggul (hair bun) Kinds of women’s hair bun from Lampung : Belattung gelang Belattung Tebak (=gelung Malang) Belattung miring Belattung Kipas Belattung Ucung, the form is like stuffed at the center of hair. Belattung Sisir (by using comb ) Based on the function, hair bun is classified into : Bride → sanggul Gelang dan Tebak Teenage Girl → sanggul Gelang pada crown Adult woman (formal) → sanggul Tebak Adult woman (daily) → sanggul kipas / miring Women will go to water → sanggul uncung-uncung Woman will go to garden → sanggul sisir Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Apparatus of the bun 5. Additional hair, 80 cm 6. Hair spray Tail comb Bouffant smoothen 3. Big hairpins 4. Straight pins Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata STEPS TO FORM THE BUN Give oil / hairspray to the hair Part the hair into two : - The back part is tight (± 3 fingers from the bottom head), the rest hair is a little back combed to improve volume. - The front part is back combed, directed backward and unite with the first tight. 3. Attach cemara on the tight. 4. Form cemara : - Cemara is twisted leftward, upward and directed rightward, downward to form a circle like a tie. - The end of the hair is tight in the center of the bun. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata ATTACHING ORNAMENT 1. A pair of cunduk bulan sabit lunik (kecil), made from gold/silver/imitation, are attached on the right and left facing at the string of the bun tight of Buwok Lusei 2. A cunduk bulan besar, made from gold/silver/imitation, is attached on the bun at the center. 3. The slices of pandan to make good smell of the bun, put it at the bun hole Source : Sanggul-sanggul Daerah Indonesia Hj. Titi Bambang, 2005 Seni Kerajinan dan Pariwisata

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