4. Playing Individual Ricikan of Kendhang SK 4 4. Playing Individual Ricikan of Kendhang To Play Kendhang in gendhing Ketawang

Playing Individual Ricikan of Kendhang To Know Ricikan Kendang Function Technique to play Notation Playing Kendang in Ketawang Seni Kerajinan dan Pariwisata

4.1 To Know Ricikan Kendhang Kendang is one of ricikan gamelan that’s played by stroked. If we looked at the sounds, so kendang is include in membranofon instrument. Before we learn to practice kendang, we must know : Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.1.1 Kind of Kendang . Kendang ageng / bem widht ± 70 cm . Kendang ketipung widht ± 40 cm Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata Lanjutan Kendang ciblon widht ± 65 cm . Kendang sabet/wayangan widht ± 68 cm Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.1.2 Names the part of Kendang klanthe bakalan wengkon janget plangkan tebokan Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.1.3 How to tune up before we play kendang, make sure that’s the sounds is like what we want, by: 1. all suh was tighten or loose till we have the sound we want. 2. the left and the right Wengkon was stroked using a wood to inside direction. Suh tighten/ loosen Wengkon stroked Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.2 Function & duty of kendhang in karawitan ansamble in the karawitans ansamble, Kendang has a duty : 1. Buka, means to starting a karawitans ansamble. example: gendhing. Gangsaran, Ayak- ayakan, Sampak, Srepeg, etc. 2. Pamurba irama means ricikan that’s has a duty to control fast and slow the tempo of ansamble. Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.3 Technique to play Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.3.1 Attitude in play Technique and ethics to play kendang Surakarta’s style are: 1. the body position is sits, with two legs crossed, straight body. right hand used to stroke the right tebokan (big tebokan), left hand used to stroke the left tebokan (small tebokan). Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.3.2 Technique to play Kendhang dhah ket dhung thung Kd Ketipung dan Ageng ket tak tong Kd Ketipung Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.4 Notation The notation of kendang used titilaras Kepatihan system that’s used symbol p dibaca thung b dibaca dhah l dibaca ket o dibaca tong t dibaca tak Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.5 Play Kendang in Lancaran Ketawang Puspogiwang, Laras Pelog Pathet Barang. (Garap Kendhang II) Buka : 7 5 6 7 3 5 3 2 5 3 2 7 3 2 7 g6 I I P B OOOP OBPB Ompak Irama Tanggung ke irama dadi : A1 : 7 5 6 7 3 5 3 n2 5 3 2 7 3 2 7 ng6 OPBO POPB OPOPOBOP PBPBOPBP OPBOOOPOBOKIPOB A2 : 7 5 6 7 3 5 3 2 OKOKOKOK OKOKOPOB OKOP OKOP OKPBOKOP 5 3 2 7 3 2 7 g6 OPOB OPOB OKOP OBOP OOPBOKOP OBOKIPOB Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.6 Memainkan Pola Kendangan Bentuk Ketawang Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 4.7 Memainkan reportoar Gendhing Bentuk Ketawang garap kendhang kalih dan kendhang setunggal irama tanggung dan dadi. Seni Kerajinan dan Pariwisata